Tony Oladipo Allen (20 July 1940 – 30 April 2020) was a Nigerian drummer, composer, and songwriter who lived and worked in Paris, France towards the end of his life.
Tony Allen was the drummer and musical director of Fela Kuti's band Africa '70 from 1968 to 1979 and was one of the founders of the Afrobeat genre. Fela once stated that "without Tony Allen, there would be no Afrobeat".
He was described by Brian Eno as "perhaps the greatest drummer who has ever lived"
Around 1972/73 I went to a pub (Bar) in Peckham SE London and the DJ was my friend's cousin who was playing Blue-beat/Ska/African Salsa/Highlife - I was there – head spinning and heart pounding with the sounds I love – Then I hear my very first Fela Kuti, Tony Allen and Ginger Baker `music ‘’Why Black Man Dey Suffer’’ with
- Fela Kuti – Electric Piano, Vocals
- Tonny Njoku – trumpet
- Igo Chico – saxophone
- Tony Allen, Ginger Baker – drums
That was it, instantly hooked with Afrobeat and have been ever since – many years later I had the good fortune to meet Tony Allen one of my music idols – we spoke for several hours about music, life and the things we love.
The Conception of Afrobeat was the Album Fela Fela Fela recorded in 1969 in the USA, having recently been schooled in the American black power movement and having taken on a new Pan-African world-view, this album served as one of Fela’s first musical soapboxes on which he challenged the colonial injustices and corruption of the ruling elites of his time.
Fela’s second two-track album was really the Birth of Afrobeat, the album ‘’Black Man Dey Suffer’’, recorded in 1971, was originally deemed too controversial for release by EMI, his label at the time.
The album is a history lesson on the oppression of the African man. It details the litany of abuses the black man has suffered — from being taken as slaves, to having an alien people impose a new culture upon them, take their land, fight them, and set them against one another.
The following track, “Ikoyi Mentality”, firmly expresses Fela’s identification with the downtrodden masses and his rejection of the ways of the ruling class inhabitants of the Ikoyi neighbourhood in Lagos.
Another major development of Afrobeat that is often overlooked was the input from Ginger Baker (ex Cream/Blind Faith drummer), Ginger Baker met Fela in London and there they became friends, several years later after the disbanding of Cream and Blind Faith, Ginger Baker travelled to Africa and eventually arrived in Nigeria in 1970 and he met Fela again - this led to meeting Tony Allen who was Fela's drummer/bandleader and they soon formed a lifelong friendship.
During the several years Ginger Baker stayed in Nigeria he set up west Africa’s first 16-track recording studio.
Fela Kuti - Water No Get Enemy (part)
Fela Kuti - My Lady Frustration
Fela Kuti - Why Black Man Dey Suffer
Sébastien Tellier - La ritournelle
Wareika Hill Sounds - Jamaica is Reggae Land
Rocket Juice & The Moon - Manuela feat. Erykah Badu
Tony Allen Feat. Damon Albarn & Ty – Every Season
Fela Kuti, Ginger Baker, Afrika 70 - Ginger Baker and Tony Allen Drum Solo,
Common – Heat
Fela Kuti - Shakara (Oloje)
B Side - So Hot
Tony Allen, Res,Ray Lema, Baaba Maal, Positive Black Soul, Archie Shepp – No Agreement.
Oumou Sangaré, Tony Allen, Natureboy Flako - Yere Faga - Natureboy Flako Version.
Tony Allen Plays with Africa 70 – Hustler
Tony Allen and Jeff Mills - The Seed
Tony Allen, Damon Albarn, Ty - Every Season
Jimi Tenor, Tony Allen - Selfish Gene
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